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  Home > Collections > New Acquisitions > Balinese Shadow Puppets and Lamp
   
 

I Nyoman Sumandhi, from Bali, comes from a family of famous dalang, or puppet masters. Mr. Sumandhi, an expert in shadow puppetry and other forms of Balinese music and dance, came to Urbana in conjunction with the Balinese exhibit, Visions of the Unseen: Picturing Balinese Ceremony and Myth.  While here, he performed shadow puppet shows in schools and at the Museum. Mr. Sumandhi has generously donated two shadow puppets and an oil lamp used in his performances to the Museum.

The puppets are made of painted cowhide.  The main sticks or handles are painted wood.  The second stick on Rahwana’s arm is made from buffalo horn.  Hide, wood and buffalo horn are also standard materials. This recent donation complements the Museum’s collection of Balinese artifacts.

Shadow Puppet: Rahwana (2005.08.0002)
This ogre-like puppet is Rahwana, the demon king of Alangka (Langka).  In the Hindu epic poem the Ramayana, Rahwana kidnaps beautiful Sita, wife of Rama, king of Ayodya.


2005.08.0003
Oil Lamp (2005.08.0001)
Coconut oil lamps are used to create the shadows from the puppets on the screen during a performance. This lamp is made of jackwood, a hard wood, called Kayu Nangka.  The carving gives the impression of fire or flames.  During a performance, the dalang uses the carving portion of the lamp as a resonator, by putting his face and mouth close to it and moving closer and farther away from the wood to vary his voice. There are holes in the carving so that the dalang can see if the flame is getting low and will know when it is time to add more coconut oil fuel.  The positioning of the dalang, lamp, and screen also enables the lower half of the puppets to be seen on the shadow side.   The lamp was made by Mr. Sumandhi’s family, and a friend of the family carved the wood.

 


2005.08.0002

 

Shadow Puppet: Kayonan (2005.08.0003)
Kayonan, or the cosmic Tree of Life, is a puppet
used to create the setting of the performance by
marking the beginning and ending of the play, as
well as individual scenes.  The Kayonan may also
be used as a prop to represent abstract ideas such
as rain, wind, the sea, a palace, or a mountain.

 

 

2005.08.0001


Learn More: Balinese Shadow Puppets and Lamp 2006.08

Most of the artifacts in New Acquisitions articles are chosen to allow website visitors to explore artifacts that are not on display in the Museum's galleries. Try searching the database or exploring the Virtual Tour to find artifacts on display.


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