Spurlock Museum Logo The William R. and Clarice V. Spurlock Museum
University of Illinois at Urbana-Champaign Logo
Home Information News Explorations Collections Exhibits Programs and Events Policies
  Home > Collections > Artifact of the Month > Indian Sitar
   
 

Indian Sitar

A blend of cultures and materials, the sitar has been a staple of Hindustani music in India for more than 300 years. The sitar is one of the best-known and easily recognizable of the Indian instruments. Legends trace the origins of the sitar to the thirteenth-century poet and philosopher Amir Khusru; however images of the sitar only begin to appear ca. 1800, making this explanation unlikely. Other oral traditions trace the sitar to another Amir Khusru, an Indian holy man who lived during the eighteenth-century. What is clear is that the sitar emerged out of the musical traditions of many cultures.

back of gourd
Close-up of back of gourd

sitar resonator gourd
Close-up of top of gourd

In the early sixteenth-century the Mughals, led by Zahir-ud-Din Babur, moved across Asia and began their invasion of India. The Mughal Empire was Islamic, whereas most of the population of Hindustan (India) was Hindu. Under the rule of Babur’s grandson, Akbar, the empire made great strides in reconciling differences between the two cultures. His successor, Jahangir, married a Persian princess named Nur Jahan. After their marriage, the Mughal imperial court became a center for Persian artists, poets, philosophers, and musicians. Most likely, the sitar emerged as a melding of Persian lutes, known as sehtars, with the lutes of northern India. The sitar is a legacy of the cultural integration that existed during periods of the Mughal Empire.

The sitar can be made from a variety of materials such as bone, metal, wood, gourds, bamboo, and sometimes ivory. Characteristically, the sitar is made out of large gourd that acts as a resonator, a long wooden neck, and a varying number of strings, with seventeen being the standard. The frets are made out of curved metal rods that allow for great variation in tones. A series of unplayed strings run under the metal frets and vibrate whenever the corresponding note is played. A high level of craftsmanship is involved in making a sitar, shown by a sophisticated degree of decoration. Many sitars are decorated with ivory inlays, ornately carved tuning pegs, and wooden leaves.

wooden neck
Close-up of neck and tuning pegs

Learn More: Indian Sitar 1985.11.0055

view of entire sitar

Most of the artifacts in Artifacts of the Month articles are chosen to allow website visitors to explore artifacts that are not on display in the Museum's galleries. Try searching the database or exploring the Virtual Tour to find artifacts on display.

Archive of Artifacts of the Month

 © 2001-2007. The Board of Trustees of the University of Illinois | Spurlock Museum | University of Illinois at Urbana-Champaign Site Map | Email Us